Gimme That Ol' Time Religion |
||||
The creators of the animated series South Park, Trey Parker and Matt Stone, are treating audiences to yet another vulgar satire of religion, a Broadway musical comedy called The Book of Mormon. Laced with their signature blasphemy and crudity, they call it “an atheist’s love letter to religion.” David Brooks, in the New York Times, pinpoints why this love letter gets it all wrong. |
||||
| April 28, 2011 | by Dr. Benjamin Wiker |
|||
First of all, sincere kudos to the New York Times for running columnist David Brooks' extremely thoughtful review of The Book of Mormon. Brooks' review, "Creed or Chaos?", is just the kind of piece one wouldn't expect to find in the bastion of secularism. Two cheers for the NYT for being broadminded enough to allow Brooks' stout defense of religion! |
||||
“Creed or Chaos” by David Brooks of the New York Times That’s because people are not gods. No matter how special some individuals may think they are, they don’t have the ability to understand the world on their own, establish rules of good conduct on their own, impose the highest standards of conduct on their own, or avoid the temptations of laziness on their own. Rigorous theology provides believers with a map of reality. These maps may seem dry and schematic — most maps do compared with reality — but they contain the accumulated wisdom of thousands of co-believers who through the centuries have faced similar journeys and trials. Rigorous theology allows believers to examine the world intellectually as well as emotionally. Many people want to understand the eternal logic of the universe, using reason and logic to wrestle with concrete assertions and teachings. Rigorous theology helps people avoid mindless conformity. Without timeless rules, we all have a tendency to be swept up in the temper of the moment. But tough-minded theologies are countercultural. They insist on principles and practices that provide an antidote to mere fashion. Rigorous theology delves into mysteries in ways that are beyond most of us. For example, in her essay, “Creed or Chaos,” Dorothy Sayers argues that Christianity’s advantage is that it gives value to evil and suffering. Christianity asserts that “perfection is attained through the active and positive effort to wrench real good out of a real evil.” This is a complicated thought most of us could not come up with (let alone unpack) outside of a rigorous theological tradition. Rigorous codes of conduct allow people to build their character. Changes in behavior change the mind, so small acts of ritual reinforce networks in the brain. A Mormon denying herself coffee may seem like a silly thing, but regular acts of discipline can lay the foundation for extraordinary acts of self-control when it counts the most. “The Book of Mormon” is not anti-religious. It just endorses a no-sharp-edges view of religion that is all creative metaphors and no harsh judgments. The Africans in the play embrace this kind of religion. And in the context of a hilarious musical, that’s fine. But it’s worth remembering that the religions that thrive in real-life Africa are not as nice and naïve as the religion in the play. The religions thriving in real-life Africa are often so doctrinaire and so socially conservative that they would make Pat Robertson’s hair stand on end. I was once in an AIDS-ravaged village in southern Africa. The vague humanism of the outside do-gooders didn’t do much to get people to alter their risky behavior. The blunt theological talk of the church ladies — right and wrong, salvation and damnation — seemed to have a better effect. http://www.nytimes.com/2011/04/22/opinion/22brooks.html?_r=1 |
||||
Dorothy Sayers, “Creed or Chaos?” Dorothy Sayers’s essay “Creed or Chaos?” was originally an address given at the Biennial Festival of the Church Tutorial Classes Association in Derby, England on May 4, 1940—that is, about eight months after Britain declared war on Nazi Germany. Her message to her fellow Brits was that the washed-out, just-give-me-meek-and-gentle-Jesus without all the hang-ups of doctrine was not enough to face the real evil of the Nazis. The hard-heartedness of real evil could only be met with the hard edges of real Christian dogma. “Something is happening to us to-day which has not happened for a very long time. We are waging a war of religion. Not a civil war between adherents of the same religion, but a life-and-death struggle between Christian and pagan….In spite of the various vague references in sermons and public speeches to the War as a "crusade," I think we have scarcely begun to realise the full implications of this. It is a phenomenon of quite extraordinary importance. The people who say that this is a war of economics or of power-politics, are only dabbling about on the surface of things….At bottom it is a violent and irreconcilable quarrel about the nature of God and the nature of man and the ultimate nature of the universe; it is a war of dogma. The word dogma is unpopular, and that is why I have used it. It is our own distrust of dogma that is handicapping us in the struggle [against Germany]…. The rulers of Germany have seen quite clearly that dogma and ethics are inextricably bound together. Having renounced the [Christian] dogma, they have renounced the ethics as well—and from their point of view they are perfectly right. They have adopted an entirely different dogma, whose ethical scheme has no value for peace or truth, mercy or justice, faith or freedom; and they see no reason why they should practise a set of virtues incompatible with their dogma. We have been very slow to understand this. We persist in thinking that Germany really “believes those things to be right that we believe to be right, and is only very naughty in her behaviour.” That is a thing we find quite familiar. We often do wrong things, knowing them to be wrong. For a long time we kept on imagining that if we granted certain German demands which seemed fairly reasonable, she would stop being naughty and behave according to our ideas of what was right and proper. We still go on scolding Germany for disregarding the standard of European ethics, as though that standard was something which she still acknowledged. It is only with great difficulty that we can bring ourselves to grasp the fact that there is no failure in Germany to live up to her own standards of right conduct. It is something much more terrifying and tremendous: it is that what we believe to be evil, Germany believes to be good. It is a direct repudiation of the basic Christian dogma on which our Mediterranean civilisation, such as it is, is grounded.” http://www.amazon.com/Christians-Choose-Either-Disaster-Believe/dp/091847731X http://douglassocialcredit.com/Sayers%20Dorothy%20L%20Creed%20or%20Chaos.pdf |
||||
The Book of Mormon Musical The plot of the musical is quite simple, indeed, predictable. Two ardent Christian missionaries, full of themselves and their ditzy dogmas, go to Africa and try to convert the natives. They succeed only by realizing that all that dogmas stuff is useless, and all that counts is being nice and tolerant. Of course, since it was written by the every vulgar creators of South Park, no one should be surprised by their endless attempts to outdo themselves in giving offense. And why do they so generously give offense? Today “being offensive” is routinely confused with “being profound and prophetic.” Obviously, the reviewers suffer under that same confusion. Vogue Magazine coos, that The Book of Mormon is "the filthiest, most offensive, and—surprise— sweetest thing you’ll see on Broadway this year, and quite possibly the funniest musical ever." The New York Times compares it favorably to the classic King and I. The Washington Post remarks that "The marvel of 'The Book of Mormon' is that even as it profanes some serious articles of faith, its spirit is anything but mean,” so that believers should cheerfully “expect to drink from a cup of some of the sweetest poison ever poured." The Wall Street Journal calls it "slick and smutty." And the Los Angeles Times admits, “Sure it’s crass, but the show is not without good intentions…” So, we Christians are to endure a snappy musical number where the cast shakes its defiant middle fingers at God and sings an unutterable blasphemy? This is, as anyone who has watched South Park knows, tediously typical of Trey Parker and Matt Stone. They’ve simply ratcheted it up for their Book of Mormon. |
||||
|
||||
Send your letter to the editor to feedback@tothesource.org. |
||||
© Copyright 2011 - tothesource |
||||